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This volume for the first time examines the women in and around Duchamp's life and work, focusing on contacts and convergences from Duchamp's youth up until his death in 1968. Some of the women gathered here were central figures in early twenty-century modernism, while others were part of fascinating intellectual and artistc networks that were, until now, in need of discovery. "Duchamp and the Women" introduces readers to the cultural circles and artistic movements in which the women presented were active and played a formative role. In addition to chronologically-grouped short biographies, comprehensive essays by Renate Wiehager and Katharina Neuburger—supplemented by a guest contribution from the literary scholar Sandro Zanetti—trace the paths of these protagonists as leading figures of early modernism and spokeswomen of a qualitatively new feminism. These essays deal with: Louise Arensberg (1879–1953), Gabrielle Buffet-Picabia (1881–1985) Katherine S. Dreier (1877–1952), Suzanne Duchamp (1889–1963), Elsa von Freytag-Loringhoven (1874–1927), Peggy Guggenheim (1898–1979), Mina Loy (1882–1966), Maria Martins (1894–1973), Mary Reynolds (1891–1950), Rrose Sélavy (“created” in 1920), Gertrude Stein (1874–1946), Carrie, Ettie, and Florine Stettheimer (1870–1944), and Beatrice Wood (1893–1998). Original texts by and about the women, some of which appear here for the first time in German and English, broaden the scope of the book by incorporating contemporary historical voices. A comprehensive bibliography also provides researchers from various fields with an important basis for further investigations into the lives and works of the people gathered in Duchamp and the Women—including Duchamp himself.

Women in art --- Women artists --- Women authors --- Art, Modern --- Intellectual life --- Biography --- History --- Duchamp, Marcel, --- Friends and associates. --- Art --- art [fine art] --- women [female humans] --- Arensberg, Louise --- Duchamp, Marcel --- Martins, Maria --- Reynolds, Mary --- Freytag-Loringhoven, von, Elsa --- Stein, Gertrude --- Stettheimer, Ettie --- Stettheimer, Carrie --- Guggenheim, Peggy --- Loy, Mina --- Wood, Beatrice --- Duchamp, Suzanne --- Dreier, Katherine Sophie --- Stettheimer, Florine --- Buffet-Picabia, Gabrielle --- kunst --- 7.071 DUCHAMP --- Duchamp Marcel --- conceptuele kunst --- dadaïsme --- futurisme --- kubisme --- concept art --- feminisme --- gender studies --- twintigste eeuw --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Friends and associates --- Relations with women --- Exhibitions --- Frau. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- art [discipline]

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Conçu comme un "annuaire dada", à la façon d'un bottin ou d'un abécédaire, imprimé sur papier fin et en parfaite adéquation graphique avec le sujet traité, l'ouvrage réunit l'ensemble le plus complet à ce jour de documents, correspondances, oeuvres participant de l'esprit dada, dont un grand nombre d'inédits.Il représente une somme documentaire majeure sur ces années 1915-1924 durant lesquelles - de Zurich à New York en passant par Berlin, Hanovre, Paris et Cologne - quelques-unes des figures essentielles de l'histoire de l'art - Marcel Duchamp, Picabia, Man Ray, Kurt Schwitters, Hannach Höch, Jean Arp, Hans Richter ...- ont défini les grandes lignes de leur pratique artistique. L 'ouvrage est complété par de courtes synthèses sur des lieux, oeuvres, thèmes et événements dada, par la chronologie la plus documentée à ce jour sur le dadaïsme établie par Matthew S. Witkovsky et par une bibliographie qui en font l'outil de référence indispensable sur le mouvement Dada.

dadaïsme --- bibliografieën --- Dadaïsme --- Dadaism --- Arts, Modern --- History of art and literature - Dadaism - 20th century. --- Art --- anno 1910-1919 --- Dada --- anno 1900-1999 --- Dadaïsme --- Arts modernes --- Exhibitions. --- Expositions --- Van Rees Adya --- Van Rees Otto --- Wood Beatrice --- 7.037 --- 291 --- 391 --- 75 HP --- Apollinaire Guillaume --- Aragon Louis --- Arnauld Céline --- Arp Jean --- assemblages --- Baader Johannes --- Baargeld Johannes --- Ball Hugo --- Blumenfeld Erwin --- Breton André --- Cabaret Voltaire --- Catalogue publié sous la direction de Laurent Le Bon --- Charchoune Serge --- Citroën Paul --- Clair René --- collages --- Covert John --- Cravan Arthur --- Crotti Jean --- dada --- de Massot Pierre --- Dermée Paul --- de Zayas Marius --- Dix Otto --- Duchamp Marcel --- Duchamp Suzanne --- Eggeling Viking --- Einstein Carl --- Eluard Paul --- Ernst Max --- experimentele film --- film --- fotografie --- Fraenkel Theodore --- grafische vormgeving --- Grosz George --- Hausmann Raoul --- Heartfield John --- Hennings Emmy --- Höch Hannah --- Huelsenbeck Richard --- interbellum --- Janco Marcel --- Jarry Alfred --- Joostens Paul --- kunst --- Lissitzky El --- literatuur --- Man Ray --- Merz --- Moholy-Nagy Laszlo --- Péret Benjamin --- Picabia Francis --- Ray Man --- Richter Hans --- Rigaut Jacques --- Roche Juliette --- Satie Erik --- Schad Christian --- Schlichter Rudolf --- Scholz Georg --- Schwitters Kurt --- Segal Arthur --- Serner Walter --- Soupault Philippe --- Steegemann Paul --- Stella Joseph --- Stirner Max --- Taeuber-Arp Sophie --- twintigste eeuw --- typografie --- Tzara Tristan --- Vaché Jacques --- Van Doesburg Theo --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Exhibitions --- 20e eeuw --- Dadaism - Exhibitions --- Arts, Modern - 20th century - Exhibitions --- dadaïsme. --- bibliografieën.